David Cliffe's Companion to Evelyn Waugh’s Brideshead Revisited


Quomodo sedet sola civitas

The first verse reads as follows, in the Vulgate and Authorised (King James) versions :

Quomodo sedat sola civitas How doth the city city sit solitary,
plena populo! that was full of people!
Facta est quasi vidua how she is become as a great widow!
domina gentium; she that was great among the nations,
princeps provinciarum and princess among the provinces,
facta est sub tributo. how is she become tributary!
A recording of the above-printed verse

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I have decided to include also a performance of the first three verses of the Lesson.

You may hear it here

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incipit lamentatio Ieremiae Prophetae Here beginneth the Lamentation of Jeremiah the Prophet:
ALEPH quomodo sedit sola civitas A How doth the city sit solitary,
facta est quasi vidua how is she become as a widow!
domina gentium she that was great among the nations,
princeps provinciarum and princess among the provinces,
facta est sub tributo how is she become tributary!
BETH plorans ploravit in nocte B She weepeth sore in the night,
et lacrime eius in maxillis eius and her tears are on her cheeks:
non est qui consoletur eam she hath none to comfort her
ex omnibus caris eius among all her lovers;
omnes amici eius spreverunt eam all her friends have dealt treacherously with her,
et facti sunt ei inimici they are become her enemies.
GIMEL migravit Iuda propter adflictionem C Judah is gone into captivity because of affliction,
et multiudinem servitutis and because of great servitude:
habitavit inter gentes nec invenit requiem she dwelleth among the heathen, she findeth no rest:
omnes persecutores eius adprehenderunt eam all her persecutors overtook her
inter angustias between the straits.
Ierusalem Ierusalem convertere ad Dominum Deum tuum Jersualem, Jerusalem, turn back to the Lord your God.

Note : The singer in this recording is German and uses the German form of Church Latin pronunciation.

[Ed. Note: This page is an abridged version of the one found on Cliffe's website. He did not credit the recording he used: it is a snippet from "Incipit lamentatio Jeremiae Prophetae (Lectio I, Feria V)," which comes from the album Gregorian Chant: Paschale Mysterium by Konrad Ruhland and the Capella Antiqua München]
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